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Director Joe Wright’s why Pan bombed at the box office this weekend, opening $15.5 million

Director Joe Wright’s Pan bombed at the box office this weekend, opening in third place with an estimated $15.5 million. The fantasy epic Peter Pan origin story starring Hugh Jackman reportedly had a weighty $150 million price tag. Nothing solid has been reported for overseas numbers but word is that it only pulled in roughly $20.5 million abroad.

The woes for Pan started last week with harsh reviews and now it’s being labeled as one of the worst Peter Pan adaptations in history. The story of Peter Pan comes from J.M. Barrie’s magical tale of the boy who wouldn’t grow up that has been around for over 100 years. The new movies attempted to put an original spin on things with a Peter Pan origin story.
This shouldn’t come as a surprise as there were a number of factors that could have predicted Pan was in trouble. Pan was initially set for a summer release before getting postponed to October. The reason for the push was due to a number of reshoots to fix the movie. There was also anger over the casting of a white Rooney Mara as Tiger Lily, leading plenty of talk about race-bending. Director Wright stood by his selection, telling Entertainment Weekly that though he acknowledged concerns over “whitewashing casting,” During the casting process, he says he met with actresses from China, India, Japan, Russia, Africa and Iran, but that Barrie wasn’t specific in the book as to where the native tribe came from. If you read the book, you know Tiger Lily is described as an “Indian Princess,” and illustrations in the 1907 book show a girl wearing fringed clothing, a headband and feathers in her hair.
What do the critics say?

“‘Pan’ is, for the most part, ugly to look at, shrill to listen to, and performed by actors who have been encouraged to camp it up madly in the style usually favored by aging British sitcom stars playing storybook characters in Christmas panto productions.” — Alonso Duralde, The Wrap
“That’s a lot of lousy ideas crammed into the first 30 minutes. The whole movie’s like that. You walk out of ‘Pan’ feeling flattened, and bummed out…Wright has made good films (‘Atonement’) and mixed-up, crazily theatrical ones (‘Anna Karenina’). With ‘Pan’ he has what I hope will always mark his career low point — the most joyless revisionism since Disney’s ‘The Lone Ranger.’” — Michael Phillips, L.A. Times/Chicago Tribune
The film becomes a “seriously extended chase that possesses hefty CGI-propelled dynamics but absolutely no suspense and a very limited sense of fun.” — Todd McCarthy, Hollywood Reporter
This is the part where we talk about Hollywood’s obsession with making movies that aren’t needed to capitalize on a property with a well-known name and reputation and try to make it appealing by over-explaining everything in hopes of appearing original and cool. Did Peter Pan need an origin story? Most likely not. But I can see why the studio would take the gamble. You have the usually solid Hugh Jackman playing Blackbeard, a young Captain Hook (who’s a GOOD guy! Who would have guessed?), and plenty of opportunities to show off some fancy CGI flying.
Instead, we got a mess of over-acting, cheesy lines, and poor story decisions.
I’ll stick to Hook or 2003’s Peter Pan.
Did you see Pan? What worked (if anything) and what failed?
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